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800 B.C.-999

1000-1599

1600-1849

1850-1899

1900-1934

1935-1970

Titles

1935-1970

1937
J. R. R. TOLKIEN’S
THE HOBBIT
1937
JOHN STEINBECK’S
OF MICE AND MEN
1938
THORNTON WILDER’S
OUR TOWN
1939
JOHN STEINBECK’S
THE GRAPES OF WRATH
1940
ERNEST HEMINGWAY’S
FOR WHOM THE BELL TOLLS
1940
RICHARD WRIGHT’S
NATIVE SON
1942
ALBERT CAMUS’S
THE STRANGER
1944
TENNESSEE WILLIAMS’S
THE GLASS MENAGERIE
1945
GEORGE ORWELL’S
ANIMAL FARM
1945
RICHARD WRIGHT’S
BLACK BOY
1946
ROBERT PENN WARREN’S
ALL THE KING’S MEN
1947
TENNESSEE WILLIAMS’S
A STREETCAR NAMED DESIRE
1947
JOHN STEINBECK’S
THE PEARL
1948
ALAN PATON’S
CRY, THE BELOVED COUNTRY
1949
GEORGE ORWELL’S
1984
1949
ARTHUR MILLER’S
DEATH OF A SALESMAN
1951
J. D. SALINGER’S
THE CATCHER IN THE RYE
1952
ERNEST HEMINGWAY’S
THE OLD MAN AND THE SEA
1952
RALPH ELLISON’S
THE INVISIBLE MAN
1953
ARTHUR MILLER’S
THE CRUCIBLE
1955
WILLIAM GOLDING’S
LORD OF THE FLIES
1956
J. R. R. TOLKIEN’S
THE LORD OF THE RINGS
1960
JOHN KNOWLES’S
A SEPARATE PEACE
1960
HARPER LEE’S
TO KILL A MOCKINGBIRD
1961
JOSEPH HELLER’S
CATCH-22
1962
KEN KESEY’S
ONE FLEW OVER THE CUCKOO’S NEST
1962
EDWARD ALBEE’S
WHO’S AFRAID OF VIRGINIA WOOLF?
1969
KURT VONNEGUT’S
SLAUGHTERHOUSE-FIVE

Featured author:


Aldous Huxley

The English novelist and essayist Aldous Leonard Huxley, b. July 26, 1894, d. Nov. 22, 1963, a member of a distinguished scientific and literary family, intended to study medicine, but was prevented by an eye ailment that almost blinded him at the age of 16. He then turned to literature, publishing two volumes of poetry while still a student at Oxford. His reputation was firmly established by his first novel, Crome Yellow (1921), a witty satire on the intellectual pretensions of his time. Huxley's early comic novels, which include Antic Hay (1923), Those Barren Leaves (1925), and Point Counter Point (1928), demonstrate his ability to dramatize intellectual debate in fiction; he discussed philosophical and social topics in a volume of essays, Proper Studies (1927). In both fiction and nonfiction Huxley became increasingly critical of Western civilization in the 1930s. Brave New World (1932), his most celebrated work, is a bitterly satiric account of an inhumane society controlled by technology, in which art and religion have been abolished and human beings reproduce by artificial fertilization. Huxley's distress at what he regarded as the spiritual bankruptcy of the modern world led him toward mysticism and the use of hallucinatory drugs. The novel Eyeless in Gaza (1936) portrays its central character's conversion from selfish isolation to transcendental mysticism; and in The Doors of Perception (1954) and Heaven and Hell (1956) he describes the use of mescaline to induce visionary states of mind. Huxley, who moved to southern California in 1947, was primarily a moral philosopher who used fiction during his early career as a vehicle for ideas; in his later writing, which consists largely of essays, he adopts an overtly didactic tone. Like his contemporaries D. H. Lawrence and George Orwell, Huxley abhorred conformity and denounced the orthodox attitudes of his time. The enormous range of his intellect and the pungency of his writing make him one of the most significant voices of the early 20th century.