EDITED WITH AN INTRODUCTION AND NOTES BY JOHN LEONARD

The young Milton (1608-74) took Virgil as a model and planned a career progressing from pastoral poetry to heroic verse. Yet it was only in his fifties that - blind, bitterly disappointed by the Restoration of Charles II and briefly in danger of execution - he finally turned his energies to work on the grand scale.

Although originally conceived as a tragedy on the Fall of Man, the epic form he eventually used allowed Milton to conjure up a vast, awe-inspiring cosmos, to range across huge tracts of space and time - and to put a naked Adam and Eve at the very centre of his story. Long regarded as one of the most powerful and influential poems in the English language, Paradise Lost still inspires intense debate about whether it manages 'to justify the ways of God to men' or exposes the cruelty of Christianity and the Christian God. John Leonard's illuminating introduction is fully alive to such controversies; it also contains full notes on Milton's highly individual use of language and many allusions to other works.

Americans tend to forget that they weren’t the first to have a revolution. The English had theirs more than 130 years before the Thirteen Colonies rebelled. The English revolution consisted of a bloody Civil War from 1642 to 1649, the beheading of King Charles I in January 1649, and ten years of Puritan republican rule; it ended finally with the restoration of the monarchy under King Charles II in 1660.
These events aren’t merely the background to John Milton’s life: they were his life. We usually think of the war as a conflict between the Cavaliers and the Roundheads. John Milton was a Roundhead. The Cavaliers, or Royalists, supported the king and tended toward Catholicism. They believed in an aristocracy that had the right to special privileges, both in politics and in religion. The Roundheads, or Puritans, believed in a wider distribution of political and economic power and the right of every man to enjoy direct access to God.
Milton was so strongly committed to the Puritan cause that he accepted a government position under Oliver Cromwell, who ruled as Lord Protector from 1649 to 1658. Milton was a radical Christian individualist who objected strongly and vocally to all kinds of organized religions which, he believed, put barriers between man and God.
Milton was therefore a rebel because he identified himself with a revolutionary cause. Paradise Lost, his masterpiece, is about rebellion and its consequences.
One way of looking at the poem is to see it as Milton’s working out of his own position. Although many readers have thought that Milton is really Satan, he probably saw himself as Abdiel, the angel who refuses to go along with Satan.
Milton was arrogant in his belief that he understood the truth and had a duty to explain it for everyone’s good.
The revolution he lived through changed every aspect of English life. When he was born in 1608, Shakespeare was still alive and Queen Elizabeth was only five years dead. Her influence was still felt. She had been an absolute monarch who regarded Parliament as a necessary evil in order to get money for her projects. When Milton died in 1674, Charles II reigned as constitutional monarch without any real power except that granted to him by Parliament.
Milton’s circumstances changed drastically during his life. His family was reasonably well-to-do. They lived in London, which was Milton’s home for most of his life. His father was a scrivener, a sort of combined notary and banker, who was wealthy enough to afford private tutors for his son, then schooling at St.
Paul’s and Christ’s College, Cambridge University. Perhaps just as important for Milton’s development was the fact that his father was a musician and composer.
One of the most attractive features of Milton’s poetry is its marvelous musical qualities.
Since Milton had a small private income, he did not seek a profession when he left Cambridge, but stayed at home writing poetry and increasing his already amazing stock of knowledge. Some people have said that Milton was one of the
most learned men England has ever known. He wrote poetry in Latin, Greek, and Italian, and read almost all the literature surviving from the Greek and Roman periods. He even read the Bible in Hebrew.
Just before the religious and political quarrels in England came to a head, Milton went abroad for fifteen months, meeting and talking with learned and famous men all over Europe. He met Galileo and looked through his telescope, a fact Milton mentions more than once in Paradise Lost.
When he returned, he put his learning and considerable rhetorical force at the service of the Puritan cause. He wrote a series of scorching political and religious pamphlets: he condemned bishops, not only the Catholic ones but those of the Protestant Church of England; defended the liberty of the press against censorship; even advocated divorce. Many of the controversies in which he engaged with heat and passion we find difficult to sympathize with now, but Milton championed them with vigor and made himself not only well known but also well hated.
The Civil War deeply affected his personal relations. His brother Christopher adhered to the Royalist side. Milton married into a Royalist family in 1642. He was swept off his feet by a fun-loving seventeen-year-old, Mary Powell, whose family was originally the source of Milton’s private income (they had bought property from Milton’s father). The Powells kept Mary away from Milton, in Oxford where King Charles I made his headquarters, and did not let her travel to London to live with her husband until 1645.
By that time Milton had been extremely vocal publicly on the subject of divorce (he even advocated polygamy at one time) and had had an affair with a Miss Davies. His was a lively household, for he looked after and educated his dead sister’s three sons. (One of them became Milton’s biographer and the source of most of what we know about Milton’s life.) He took his duties as schoolmaster very seriously; the boys were beaten if they did not learn their Latin and Greek grammar. The civil disturbances flowed in and out of the house as Milton’s pamphlets provoked angry opposition and his supporters cried for more.
Only six weeks after King Charles I’s head rolled from his body (Milton’s friend Marvell wrote a famous ode on the occasion), Milton became Latin secretary to Oliver Cromwell. It was his duty to compose all the government’s diplomatic correspondence in Latin, a job probably concerned as much with public relations as with accurate translation.
By this time Milton was blind, probably as a result of a cyst or tumor of the pituitary gland. For the rest of his life he depended on others to read to him and to write at his dictation. Because he was not a patient man- he had the arrogance of a person conscious of his talents- reading and writing for him was not easy. His daughters objected to the tyranny he showed in demanding their time and then complaining when they read incorrectly.
Mary died in 1652, leaving a blind man with three young daughters, the eldest mentally retarded. Milton married again in 1657, but his second wife, whom he called in a famous sonnet his “espoused saint,” lived only fifteen months and died
after giving birth to a daughter, who also died. Milton married a third time, to a woman who looked after him for the rest of his life and managed to bring order to a household full of quarreling daughters, relatives, and visitors to the famous writer.
In 1658, Oliver Cromwell had died, leaving England in the incompetent hands of his son, Richard. The passions that had caused the Civil War had cooled, and the king’s son was asked to return, but on the conditions which brought about the English constitutional monarchy.
The coming of Charles II meant the end of Milton’s government job. For a time he was in danger of his life and had to be hidden by friends- one of his pamphlets had argued strongly in defense of Charles I’s beheading. Milton retired from public life and devoted himself to the composition of Paradise Lost. By the time he had finished dictating it to whoever got up early in the morning, two other events had disturbed Milton’s never very tranquil life. In 1665 he was forced by the Great Plague to leave London and live in a Buckinghamshire village. A year later, in the Great Fire in 1666, Milton lost the last piece of property he owned. He lived the last few years of his life in considerable poverty, quite unlike the comfort of his first pampered years in his father’s house.
Paradise Lost (1667) is the culmination of his life’s work. His early poems, the exquisite “L’Allegro,” “Il Penseroso,” “Lycidas,” the masque Comus, and the sonnets would all secure him a place among the finest English poets. But it is Paradise Lost which makes it impossible for you to ignore Milton. He wrote Paradise Regained afterward, but it has nothing like the stature of Paradise Lost. (It is not, as you might think, about Christ’s sacrifice, but about his three-day temptation in the desert by Satan.) Milton’s final work, Samson Agonistes, is a Greek drama as impressive as Paradise Lost in everything except size.
Milton died in 1674, just after the second edition of Paradise Lost appeared.
The poem was for that time a modest best seller. It sold 1,300 copies in the first eighteen months and earned Milton a total of ten pounds. By the end of the seventeenth century, the book had gone through six editions, including one published in
1678 with large engraved illustrations. It has never lost its status as a classic, and it has never stopped being a source of controversy. People love or hate Paradise Lost, for as many reasons as it has readers. The poem has retained its interest because it deals with subjects that will always concern us- good, evil, freedom, responsibility. And because, like any great work of literature, it’s exciting to read.